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发表于 2007-9-22
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Hollow Sun vKS70 KONTAKT
令人难以置信的合成器和公司传奇的木星8。好吧……这个新品种使用的是数字控制振荡器。没有什么值得关注的——不是数字振荡器，而是模拟控制数字，以获得更好的稳定性……但除此之外，一切都是类似的。它听起来强大。我们已经广泛地从亚音速中提取原始波形，点击低点到tweeter令人担忧的高点，而且这些样品长到每分钟一分钟，这样他们就可以呼吸了。这些波形是古怪的，它增加了原始仪器的性质和样本集。
然后我们通过Kontakt的合成和调制函数。
不可饶恕的是，这些synths是参数访问(正如80年代的时尚)，它们是程序的bastards。但该公司与他们的PG800程序员进行了反应……
它通过一个6英尺的DIN电缆连接，允许手工调整和摆弄，这是令人难以置信的。它比MIDI控制器早在30年左右
我们已经在PG800的GUI中模拟了…
我们还增加了多个LFOs。你可以有一个LFO(作为单位)，但也有专门的LFOs用于音高。过滤器和输出放大器(用于颤音和/或自动)。8便士和10P / MKS的价格远远超过了它提供的6 / 12限制。
所有这些都有70个预置，比原来的6个多，还有我们自己的，我们已经有了帕奇迈斯特，Ingo Weidner，在这个案例中，他为NI和Waldorf等人做了一些顶级的东西。可爱的家伙!
特点:
48 kHz / 24位样本，1gb
先进的复古合成引擎
全长，一些持续一分钟或更多的“呼吸”
70预设，广泛可编辑保存选项
多fx，失真，EQ，调制效果和延迟
与room, spring, plate and hall混响
原文
Fabulous synths and up there with the company's legendary Jupiter 8. Ok ... this new breed used digitally controlled oscillators (DCOs). Nothing to concerned about - not digital oscillators but analogue just controlled digitally for better tuning stability ... but otherwise all analogue through and through. And it sounds mighty. We've extensively multi-sampled the raw waveforms from subsonic, clicking lows to tweeter worrying highs and the samples are long - up to a minute each for some - so that they can breathe. The waveforms are quirky which add to the character of the original instruments as well as the sample set.
We then pass all those through Kontakt's synthesis and modulation functions. And they sound fab.
Unforunately, these synths were parameter access (as was the fashion back in the 80s) and they were bastards to program. But the company reacted with their PG800 programmer...
It connected via a six-pin DIN cable and allowed hands-on tweaking and fiddling and was (is) fabulous. It pre-dated MIDI controllers by some 30 years or more
We've emulated this in the PG800's GUI...
But we've added a few twists, most notably a sub-octave and also the 'Extras' - extra waveforms that include sync sweep, cross mod and PWM, the latter of which was sorely lacking from the otherwise juicy JX / MKS. We've also added pink noise to DCO2 to give some more flexibility and the highpass filter (HPF) is variable rather than switched. We've also added various monophonic and unison playback modes for some seriously fruity basses and leadlines. And, of course, there are the effects...
DISTORTION > EQ > CHORUS / FLANGE / PHASER > DELAY > CONVOLUTION REVERB
We've also added multiple LFOs. You can have one LFO (as per the orginal) but also dedicated LFOs for pitch. filter and output amp (for tremolo and/or autopan. Far more than the orginal offered and not the six / twelve limit on polyphony the 8P and 10P / MKS had.
And it all comes with 70 presets, six more than the original and as well as our own, we've had patchmeister, Ingo Weidner, on the case - he's made some top stuff for the likes of NI and Waldorf and other. Lovely bloke too!
FEATURES:
* 48 kHz/24-bit samples, 1 GB
* Advanced Retro Synthesis Engine
* Full length, some lasting a minute or more for 'breath'
* 70 presets, extensively editable with save options
* Multi-FX with distortion, EQ, modulation effects and delay
* Convolution reverb with room, spring, plate and hall
Hollow Sun vKS70 KONTAKT | 953.54 MB
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